About
ANDREW LI PRODUCTIONS INC.
IMAGINE IT, BUILD IT.
I am a Supervising Art Director and Production Designer based in Vancouver, Canada. My credits include feature films such as Snake Eyes: G.I. Joe Origins, The Predator, Power Rangers, Star Trek Beyond, Tomorrowland, Godzilla, Pacific Rim, Mission Impossible 4, 2012, Tron Legacy, Watchmen, Night at the Museum, X-Men 2, and X-Men 3 as well as television shows like The Last of Us, Spiderwick Chronicles, Midnight Mass, and The Good Doctor. For over two decades, I have worked in every genre and always aim to deliver the highest production value no matter what the production budget may be.
In architecture, I was a project architect on many residential and commercial buildings in award-winning firms in Vancouver, Seattle, Hong Kong and London, U.K.
My goal is to work collaboratively with my creative team to find the best solution to help realize the vision of my clients and stay on budget and schedule. I am based in Vancouver, Canada, but I can travel anywhere to work on your project!
Production Designer
Highly creative team player with experience in a variety of genres on mid- to big-budget productions. Grounded by many years of art director experience to help you realize your creative vision and still stay on budget.
3D Digital Set Designer
Design and build accurate, buildable, CNC ready 3D models that not only look good, but can be used throughout a production workflow from concept illustrations to construction drawings to CNC fabrication to VFX post-production. This saves time and keeps the integrity of a design from concept to the screen.
Supervising Art Director
Extremely well-organized and detail oriented with a comprehensive knowledge of all the moving parts of any large production and a thorough understanding of the logistics, budget and labour management of these moving parts to help realize the vision of the Production Designer. Also equipped with “Spidey-sense” to spot problems BEFORE they happen and find creative, effective solutions quickly.
Credits
Feature Films
The Mother | Art Director | 2021 | Netflix | $40M
G.I. Joe: Snakes Eyes | Art Director | 2019/20 | Paramount Pictures | $90M
Flora and Ulysses | Set Designer | 2019 | Walt Disney Pictures | $40M
Noelle | Art Director | 2017/18 | Walt Disney Pictures | $80M
The Predator | Art Director | 2016/17 | 20th Century Fox | $120M
Death Note | Assistant Art Director | 2016 | Netflix | $60M
Power Rangers | Art Director | 2015/16 | Lionsgate | $120M
Star Trek Beyond | Art Director | 2014/15 | Paramount | $200M
Monster Trucks | Art Director | 2013/14 | Paramount | $120M
Tomorrowland | Assistant Art Director | 2013 | Walt Disney Pictures | $200M
Godzilla | Assistant Art Director | 2012/13 | Legendary Pictures | $120M
Seventh Son | Art Director (2nd Unit) | Assistant Art Director (Main Unit) | 2012 | Legendary Pictures | $120M
Pacific Rim | Art Director | 2011 | Warner Bros. | $200M
Mission Impossible: Ghost Protocol | Assistant Art Director | 2010/11 | Paramount | $100M
Rise of the Planet of the Apes | Art Director (Action Unit) | Assistant Art Director (Main Unit) | 2010 | 20th Century Fox | $100M
A-Team | VFX Art Director | 2009 | 20th Century Fox | $100M
Tron Legacy | Assistant Art Director | 2009 | Walt Disney Pictures | $200M
2012 | Assistant Art Director | 2008 | Sony Pictures | $200M
The Day the Earth Stood Still | Art Director (2nd Unit) / Assistant Art Director (Main Unit) | 2007/08 | 20th Century Fox | $75M
Watchmen | Set Designer | 2007 | Warner Bros. | $125M
Troubleman | Assistant Art Director | 2007 | 20th Century Fox | $75M
Aliens in the Attic | Assistant Art Director | 2007 | 20th Century Fox | $45M
Aliens vs Predator 2 Requiem | Assistant Art Director | 2006 | 20th Century Fox | $45M
Night at the Museum | Assistant Art Director | 2005/06 | 20th Century Fox | $120M
X-Men 3 The Last Stand | Assistant Art Director | 2005 | 20th Century Fox | $250M
Catch & Release | Set Designer / Illustrator | 2005 | Columbia Tristar/Sony | $35M
Firewall | Assistant Art Director / Art Director (partial) | 2004/05 | Warner Bros. | $50M
Man About Town | Set Designer / Illustrator | 2004 | Media 8 Entertainment | $35M
The Talisman | Assistant Art Director | 2004 | Dreamworks | $100M
The Chronicles of Riddick | Set Designer / Illustrator | 2003 | Universal | $150M
Bulletproof Monk | Illustrator | 2002 | MGM | $75M
X-Men 2 | Set Designer | 2002> 20th Century Fox> $150M
The Core | Set Designer | 2001/02 | Paramount | $100M
Insomnia | Set Designer | 2001 | Warner Bros. | $65M
13 Ghosts | Set Designer | 2000 | Warner Bros. | $30M
TV Series
Spiderwick Chronicles | Supervising Art Director | 2022/23 | Disney+
The Last of Us | Art Director | 2021/22 | HBO Max
Shogun | Art Director | 2021 | FX Network
Lost Ollie | Art Director | 2021 | Netflix
Midnight Mass | Supervising Art Director | 2020 | Netflix
The Good Doctor | Art Director | 2018 | ABC Television
Charmed | Art Director | 2018 | CBS Television
Falling Skies | Set Designer | 2012 | Dreamworks Television
Bionic Woman | Art Director (2nd Unit) / Set Designer | 2007 | NBC Universal
Eureka! | Art Director | 2006 | NBC Universal
Lost in Space | Set Designer / Illustrator | 2004 | 20th Century Fox TV
Stargate Atlantis | Assistant Art Director | 2003 | MGM TV
Peacemakers | Set Designer | 2002 | USA Network
UC: Undercover | Set Designer | 2001 | 20th Century Fox TV
Short Films
The Bar | Production Designer | 2007 | Dilemma Productions
Architecture
Baldes Residence, West Vancouver | Home Renovation
Bauhinia Gardens, Vancouver | Graphic Design
Wong Residence, Vancouver | New Single Family House
Rotary Manor Multilevel Care Facility, Dawson Creek | Building Envelope Design
Creo Products Inc., Burnaby | Office Tenant Improvements and New Building | Johnston Davidson Architecture + Planning
Douglas & McIntyre Ltd., Vancouver | Publisher Interior Design | Johnston Davidson Architecture + Planning
Glenview Veterans Housing, New Westminster | New Condominium | Roger Hughes Architects
Arbutus Walk, Vancouver | Roger Hughes Architects
Blackfeet Bingo Centre, Montana | New Recreational Building | William Polk Associates
Auburn School Support Building, WA | New Industrial Building | William Polk Associates
Umatilla Community Centre, Oregon | New Recreational Building | William Polk Associates
Guangzhou Mansion, China | New Office Building | Simon Kwan & Associates
Recreation Centre, Hong Kong | New Recreation Building | Simon Kwan & Associates
Craigengower Cricket Club, Hong Kong | Recreation Building Reno. | M. Moser & Associates
House on The Peak, Hong Kong | Home Reno. | M. Moser & Associates
Majestic Court Apartments, Hong Kong | Condo. Reno. | Kenneth Ko Designs
Squamish Indian Nation Recreation Centre, West Vancouver | New Construction | B. Gordon Hlynsky Architects
Silwood Offices, England | New Office Design | C.A. Cornish Architects
Trafalgar Place, Brighton | New Office Design | Frederick Gibberd Coombes & Partners
Park Royal & Lansdowne Shopping Centres | Graphics | Blewett Dodd Ching Lee
Awards
Art Directors Guild | Won in One Hour Single-Camera Series for The Last of Us under PD John Paino | 2024
Emmy Awards | Nominated in Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) for The Last of Us under Production Designer John Paino | 2023
Emmy Awards | Nominated in Art Direction in Children’s & Family Awards for Lost Ollie under PD Greg Venturi/Mark Stope | 2023
Leo Awards | Nominated in Best Production Design Dramatic Series for Midnight Mass under PD Steve Arnold | 2022
Art Directors Guild | Nominated in Excellence in Production Design Award Fantasy Film for Tomorrowland under PD Scott Chambliss | 2015